I'm not sure what McCandless is up to either! |
We
watched two seemingly incongruent movies this past weekend: El Dorado with John Wayne and *batteries not included. When I say “we” I really mean “me”—the boys
went in and out during *batteries not
included somewhat interested, but not enough to make the entire movie, and El Dorado with all its shooting and
bright-red blood isn’t a movie I’m willing to let the boys see just yet.
These
rolled around in my head for sometime, itching and scratching and fighting with
each other for some reason. This
morning, it occurred to me why: they’re essentially the same plot.
Yeah,
I know—alien flying saucers who fix things vs. a John Wayne western don’t
really seem to have much in common.
Except
they do.
Well, pilgrim, what do you have to say for yourself? |
Both
feature a very similar antagonist. In El Dorado Bart Jason (two first names =
evil) is trying to muscle in on the McDonald’s (no, seriously) water rights so
he can grow his cattle empire. *batteries features Lacey, a New York
developer who is trying to muscle in on the Riley’s cafĂ©/apartment building so
that he can grow his real estate empire.
Both men have hired guns Nelson McLeod and Carlos (respectively) who bring
in their respective gangs and act to bring things to a quick and violent end,
and both have “strangers” who come to town and stand in opposition to Big Bads
in the form of Cole Thornton (Wayne) and the “Fix-Its” (the flying saucers).
Even
more parallels can be drawn between the two, as crews of colorful, funny, and
sometimes broken characters work together or against each other for their
various purposes.
The
parallels aren’t perfect, and I was far more engaged in El Dorado than I was by *batteries
not included. That’s as much to do
with the witty, cleverness of Leigh Brackett’s dialogue as it is my penchant
for John Wayne films. Still, saving the
locals from the powerful and power-hungry cattle-baron/real estate developer
translates fairly well. This also
suggests that when writing your own stories, you can easily draw from and adapt
elements familiar to other genres. Done
well, it can be a compelling translation.
The
movies are available on Netflix, so if you get the chance, give them a watch.
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