Deborah J. Ross reviewed THE CLOCKWORK DETECTIVE and apparently liked it:
The last couple of years have brought a slew of wonderful steampunk adventures with resourceful, kick-ass heroines, and this one by McCandless is a worthy addition. Aubrey Hartmann is a veteran of recent war, having lost the lower part of one leg, and now works as a constable. Her prosthetic is a clockwork device that needs to be rewound regularly and isn’t a perfect fit but does keep her mobile, if in pain. As a result, she’s become addicted to laudanum (opium). Her current assignment involves investigating the murder of a druwyd (druid, local witch-doctor holy man) in a little town near the Fae-ruled Dark Wood. Here is where the world-building of The Clockwork Detective sharply deviates from the usual Victorian gears-and-whistles steampunk. Magic is not only real, it’s part of everyday life, and the human wars are overshadowed by the possibility of a terrible conflict with the Fae.
She then reached out to me for an interview:
Here I chat with the author about his inspiration, his future projects, and his advice for aspiring writers.
Deborah J. Ross: Tell us a little about yourself. How did you come to be a writer?
R.A. McCandless: I came out writing, which was a weird delivery for the doctor. But really, I found myself telling stories early in grade school. We'd have assignments to write a complete sentence using a set of vocabulary words, and I'd get bored with that. Instead, I'd use the words to tell a short story. From there, it was only a short jaunt to writing my own stories.
Dragons are one of my chief inspirations. I've only included one once, in a short story. But any world where dragons can conceivably exist—please and thank you! That's almost any fantasy or science fiction story, which creates a broad palette for me to enjoy. From there, it's a hop, skip, and a wardrobe journey into another world that I'm fascinated to start exploring and sharing.
Thank you so much for the opportunity Deborah!
PAST, PRESENT, OR FUTURE
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