We're gonna need bigger jet packs. |
Back to the Future is now in our past. The fan celebration
of that fact, and the renewed interest in the film franchise, was almost as
loud as the millions of voices crying out in online fangasm for another
franchise about to take us, once again, to a galaxy far, far away—Star Wars: The Force Awakens. It might
be better called Star Wars: We’ll Make it Profitable but Please Don’t Let Us Down Like Lucas Did. Anyone who doubts that this movie will be a
success at the box office, no matter what the quality of the script or the
acting, need only look at the numbers for the last Star Wars “failure”.
$848 million will buy a lot
of beer.
If only that could be said of Tomorrowland. Slightly ahead of all this
excitement, I watched this epic film of epicness starring Britt Robertson and Raffey Cassidy.
George Cloony, Hugh Laurie and even Tim McGraw (as an improbably NASA
engineer) are also along for the ride, but the real work is done by two amazing
actresses. Raffey, at the very least,
deserves an Oscar nomination for her impressive efforts. She’s certainly an actress to watch, and I
swear invisible onion ninjas were doing their work as I watched her key scenes.
Pin of Awesomeness - +4 vs. Disillusionment |
Above all, the greatest
message this film delivers, like that of Back
to the Future and Star Wars, the
one that has touched me so much and made me a fan all in one fell swoop, is
that inspiration is worth as much, if not more, than a working jet pack. Whether it’s the nostalgia of going back to
1955, or a future of rocket ships and ray guns, the inspiration that these
movies give is practically priceless. If
not for Star Wars Joss Whedon would
never have conceived of the imminently superior Firefly/Serenity. I was so
affected by I ran out and purchased the new and old prop pins along with Brad
Bird’s book Before Tomorrowland. My wife was deeply disappointed, because this
was one of the rare times she could tell I was deeply moved by a film AND she
had an obvious gift she could give me.
There should be more Tomorrowland and they should release it
yesterday. Maybe this film was just aimed at me, as the clever little steampunk additions made my heart go pitter-pat. Sadly, with the box office
disappointment, that’s not likely to occur.
Yes, that's the Eiffel Tower launching an antique spaceship. |
Still, if you haven’t seen Tomorrowland, please do so. It’s too easy to blow off as another
Disney-ride-become-movie, a way for the Mouse House to milk its aging cash cows. But keep in mind that this isn’t a third-string,
straight-to-video effort. Brad Bird (The Iron Giant, The Incredibles, Mission:
Impossible - Ghost Protocol) wrote and directed along with Damon Lindelof (Lost, Star Trek: Into Darkness). Bird
even, respectfully, turned down directing Star
Wars in favor of Tomorrowland
because, “It's rare to do a film of size that's original, so those opportunities
can't be missed either.”
The storytelling that goes on
here is excellent, self-aware, funny and introspective. This is not a science fiction film that
phones it in by any means. At one point,
it does get a touch preachy, but since there is no partisan solution being
offered, the aim of social awareness (which any film should strive for) can be
forgiven. In the end, the inspiration,
the goal of finding “dreamers” in all walks of life, is a worthwhile one.
See it if you haven't
already. And if you have, see it again.
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