Back
in 2000, I watched a simple no-frills, nearly no-name movie called “Pitch Black”. In the theater, no less! The plot was paper-thin science fiction
through a horror filter. Apathetic alien
creatures filled in for the masked serial killers, taking down our disparate
and desperate crew of survivors, including one criminal sociopath,
Riddick. It was simple, elegant, the
dialogue was above par and had a measure of wit, there were some decent twists,
and a theme, yes, an actual THEME, of redemption that ran through the film
right to its bittersweet ending.
In
short, I loved it.
“Pitch
Black” was very successful.
The
obligatory sequel that followed, “The Chronicles of Riddick” was not so
much. It suffered from a bloated budget
that allowed the imaginations to run beyond wild, and while the special effects
were far-and-away better than “Pitch Black”, it seemed that the focus of the
character had been lost by too much ret-conning, and a more grandiose
Riddick-saves-the-universe plot.
Now,
enter “Riddick”. The budget,
necessarily, has been slashed. The dual
conflict of internal group dynamics meeting an external alien menace might be
dipping back into the well, but who cares.
The simplicity of plot was what appealed, and the initial budget
investment necessitated focus on characters rather than whiz-bang production
values.
Plus,
Katee Sackhoff, back in scifi where she belongs!
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