Be slimed. Be very slimed! |
The Ghostbusters
are actually quite afraid of ghosts, but you shouldn’t be.
For
the first two acts, the ladies in proton packs from Paul Feig’s Ghostbusters reboot yell, scream and run
from the very ghosts they set out to hunt.
Melissa McCarthy, Kristen Wiig, Kate McKinnon and Leslie Jones, spend
most of their time getting slimed and mastering their streams with hilarious
results.
I laughed hard enough to wake the dead. Don't worry, more puns to follow!
When
Erin (Wiig) finds out that a “ghosts are real” book, written in partnership
with her estranged friend Abby (McCarthy), has resurfaced and threatens her
tenure, she goes to confront the issue. An
obvious, but easily exorcised, plot device to bring the two, along with
tech/gearhead/engineering genius Holzmann (McKinnon) into their first spectral
confrontation. The only real complaint
comes in the zombie-handed way Patty (Jones) is jackhammered into the
team. Even hilariously airheaded
receptionist Kevin (Chris Hemsworth) flowed into the group like a Class 5
Full-Roaming Vapor through a hotel wall.
Once the team is assembled—and named—we’re well on our way.
Never cross the streams. |
It’s
incredibly hard to not compare this 2016 version with the classic and seminal
1984 installment. Feig does an admirable
job of tapping into the “ghosts are real” and “It’s so crazy it just might work”
concept team of unappreciated brainiacs with the power to save the day. He also tamps down the traditional option of
turning the camera on McCarthy and letting her say whatever comes along. Wiig, McKinnon and Jones easily carry their
own versions of crazy into a mix that works well. Hemsworth’s scenes alone are worth the price
of admission.
It’s
the third act where plot troubles manifest.
Feig walks the line of paying fan service to the original film, narrowly
avoiding catchphrases made popular in the original. But this cleverness backfires, drawing
audience chain-rattling-groans at the missed-it-by-that-much moments. The movie would have been better served with
just the small cameos by the majority of original casts members which were
delightfully nuanced (hint: watch for the bust of Harold Ramis early in the
film, and stay for the after credits). This
also takes time away from the set-up and pay-off that otherwise is actually quite
interesting and fun.
The
girls in khaki deliver a fun spectacle of ectoplasmic enjoyment. The laughs are quick and many, the plot is
solid and fun. It’s not easy trying to
live up to the gold standard set by the 1984 version—Ghostbusters II certainly didn’t.
This new film is hilarious, inviting, and a fun way for classic fans to
enjoy a new installment, and a new generation of boys and ghouls to be
introduced.
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