A
synopsis is a wonderful, beautiful, elegant tool for publishers and agents to
understand what your entire book is about, without all the bother of actually
reading the book. Because publishers and
agents are inundated with queries on a daily basis, it makes perfect sense for
them to request a
synopsis after reading, and enjoying, a sample of your work.
So, how's that synopsis coming, Rob? |
A
synopsis is also an exercise in utter futility, not unlike brain surgery with a
rock wall. It literally (and I mean
literally) opens the Gates of Hell and lets forth every demon and tortured soul
to visit pain and suffering upon a writer such that the Spanish Inquisition
looks like a lovely tea party.
The
problem for most writers is that condensing the beauty, brilliance and genius of
an 85,000 word manuscript into a 1,500 word synopsis isn’t just writing a book jacket
description meant to sell copies. The
synopsis must show all the major characters and events in a story—what happens,
when it happens, who it happens to—but without any of the internal emotional
consistency that provides for character depth, background or logic.
It’s
like a three year-old telling you what happened in an epic and seminal science
fiction movie.
Yesterday,
working with my Beta Team, we railed against the requirement of a synopsis due
to the closing scenes for my samurai novel The Second Cut. Reworking the synopsis
to prepare it for an agent became a four-hour chore as we attempted to work out
how best to describe the conclusion. An
earlier draft ended with these exact words:
Wary
of the trap, Yoshimori agrees and the former enemies sit down to tea while
Juke’s men tend Yoshimori’s wounds.
Early options to writing a synopsis. |
You
see?! This historical fiction about
bold, brave sword-swinging samurai, with fights and chases and romance and escapes,
actually does end (essentially) with a tea party.
A
TEA PARTY!?
But
to actually understand why two enemies sit down and sip tea at the end of the
story, you have to actually read the
story. One of my Beta Team members went
off at some length at how much he enjoyed the scene, how it was true to the
characters and the overall emotional conclusion of the book. But in the synopsis, it’s boiled down to
sipping Earl Grey over a quiet chat.
Fortunately,
my Beta Team enjoys a good challenge. Together,
we worked through several revisions.
Finally, bleary eyed, battle-scarred and exhausted we at last arrived at
reasonable, and well-written, conclusion to the synopsis that more accurately
reflected the true nature of the scenes.
Meanwhile, a couple of short folk with no shoes wandered into a volcano,
which erupted and then some big birds scooped them up and carried them to
safety. Exciting!
No comments:
Post a Comment