An
interesting discussion broke out on one of my Facebook author groups the other
day. For a wonder, it wasn’t all just
authors promoting their latest work, their upcoming release, or the review they
just got. Being an author without the
name Stephan King or George “RailRoad” Martin means that you have to make as
much noise about yourself as possible, even to other authors.
But
this discussion was based on a poll a group member did into the importance of reviews: did they actually affect the outcome of a
purchase, or was the synopsis more important?
Personally,
I consider the synopsis another piece of marketing. Its job isn’t just to tell what the story is
about, but to tell you in such a way that you’re swayed into buying it. Most genre literature doesn’t need to do too
much to sell me, so even a mediocre brief about the story will probably sell
me.
Next,
I look at the reviews. I don’t actually
read the reviews, I just glance through the numbers. Anything with fewer than 20 reviews I tend to
shy away from. I’m sure I’ve got 15 to
20 friends and acquaintances that if I ask (and bribe) will provide a review
for me. That doesn’t say anything about
my abilities as a writer, it just says that I can function (sometimes) in
society. The only time I actually read a
review is if it’s incongruent.
Twenty-three five-star reviews and a lonely one-star. What’s up with that? Gotta me some good gravy over there!
I
can forgive an outlying review when I’m looking at a book, but they tend to be
fun to read. It’s usually someone who
took issue with a character or plot choice.
Not something actually wrong with the storytelling, but a reader
armchair writing. I’m fascinated by
these, in the same way rubberneckers are by a terrible accident. I want to see what all the fuss is about!
Check
out some of the awesome fuss over here at Leasthelpful. There are truly some gems.
But
if there is some legitimate gripping about a book, I want to know about it
before I make the purchase. Twenty-eight
or two-hundred five star reviews paint a pretty picture, but an equal number of
one star reviews frame the whole thing.
I’m sure there are a number of folk (one is a number) who have similar
tastes to my own, and find some of the tired, clichéd tropes over-used. I want to know that when I’m testing out a
new author.
In
fact, reviews are actually big business.
Both positive and negative reviews can have such an impact that authors
and publishers are willing to pay, and pay well, for a certain numbers of
reviews.
So
if you want to help me, write a review when my book comes out this fall!
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