Don't you "puddin'" me! |
Spoilers.
No,
seriously. I’m not going to discuss Suicide Squad without sharing major,
major, huge plot spoilers. Pretty much
every single one. If you’re looking for
a review to decide whether or not to see the movie . . . well, this one will
certainly help, but you may want to look elsewhere. I just have to rant to get this movie out of
my head and express my disappointment.
So
there. I was disappointed. You can take that to bank.
Caveat: I enjoyed the film and could
probably watch it again. But I didn't love it, and I wouldn't really recommend
it. There are some shining moments that were fun. The pacing was just enough
that when I started to get bored it picked up and kept me reasonably
interested. Some of the lines were terrible exposition, not even remotely
reasonable even in a Hollywood action film. This was an ensemble
character-based movie that doesn't know the meaning of the word
"ensemble". If you want to see
Suicide Squad done right, rent or buy
Batman: Assault on Arkham.
Alright,
instead of going through the wet, hot mess of a plot, it will be easier to run
through the list of characters which will quickly reveal the core problems:
Killer
Croc—Why
was he even in this? I mean, aside from being . . . well, somewhat big-looking
and with reasonably great make-up (though his head seemed proportionally bigger
than his body). Couldn't they use some camera trickery to make him appear 7 to
8 feet tall? He seemed slightly shorter than Deadshot. He mostly growls
semi-intelligible lines, and the one place where he could have actually stood
out—underwater—he does nothing but swim and then climbs back into the group.
Maybe there's a cut scene where he fights some underwater dudes, saves the SEAL
team and retrieves the explosive? Dunno.
Deadshot—Will Smith
embraced his inner Will Smith, smarting off, but even then
some of his lines
were such gibberish. It felt like they were using him for exposition that
wasn't actually required because he was the biggest star in the film. I loved
his backstory, which is pretty standard Will Smith fare, but par for the course
in this movie. He's supposed to bring the entire team together, but he . . .
doesn't. There's no point at which he is able to bond with really anyone which
makes the entire idea of a "team" wholly contrived.
Defining "hella cool" for a new generation. |
El
Diablo—Despite
being the most interesting, he also has very limited screen time and the
strangest motivation at the end, talking about not losing his "new
family" which they totally weren't. There was so little bonding, even evil
villain-bonding, that I had no idea where he got the idea he had a new "family"
that he needed to protect or that they would protect him. Still, his final form was hella awesome.
Boomerang—This guy was the
worst addition to the team. It was obvious that he was going to be used to
prove the explosives in the team’s necks were
real, ala Escape from New York, but other than that, he had very little in the way of expressed skills
that couldn't be had from hiring a circus knife-thrower or letting the SEAL
team be an actual SEAL team. The one time he's handy is his surveillance
boomerang . . . which, umm, the government would have like eighteen different
kinds of surveillance already on the ground, over the city, etc. He has a great
scene toward the end when Flag breaks the phone, says they're free to go and he
does! Awesome. Perfect for the character that "doesn't play well with
others". Then, they ruined it. For “reasons”
he shows back up for the big throwdown with Enchantress and her Brother but
does . . . what? I'm not sure.
Harley
Quinn—I
guess she's the breakout of the movie. She fights and gives reasons to include
Jerod Leto's version of the Joker. But that's about it. She doesn't tear the
team apart or bring it together. She says she’s crazy and a bad guy, but does
very little to prove this. She's just,
well, there. She's great eye-candy, and I appreciate that she kicks a lot of
ass, but there's nothing overly special about her that couldn't have been
accomplished by any well-trained soldier. That said, I liked the Joker in this,
he had great motivation for everything he does, and his sanity/insanity was
fun. He has one goal, and he doesn’t
care who he has to kill, threaten, maim, kill or kill to accomplish it.
Her superpower is being Viola Davis. |
Waller—Viola Davis is a
complete and utterly believable badass with no superpowers whatsoever who is
still a wholly scary character and possibly the most rounded in a movie that
isn’t supposed to be about her. Contrasted with the insanity of the Joker,
Waller is frightening. The Joker is motivated by his passion for Harley. Waller is “fighting the good fight” for “national
security”. I loved every scene with her
in it, even when silliness was going on around her, or she was spouting off
some of the silliness herself. "They weren't cleared for this!" she says after she offs her entire communication team. Errr,
what? Still, cold-blooded ruthlessness which keeps the team in check is pretty
believable, and liquidating an office of support staff goes a long way to
proving her sincerity. I didn't need a reason for her to still be alive when
she should have been dead. She's just that tough. I buy it!
Flag—Uggh. I so wanted
to like him. Yet, his tactical skills are exactly as good as his leadership
skills—non-existent. Research, people. Bring in an expert. There has to be a
ba-jillion (I made that up) former military who could have made this guy really
cool. But at no time does he step up,
apply his skills, give a grand speech or anything else that justifies his presence. I guess there were two whole SEAL teams under
his command, but they're so much lame cannon-fodder. Flag doesn't even do the love-appeal to Enchantress to bring her back or distract her or anything. He's
just sad and sad through the whole film.
Katana—She has a katana.
Hence her name. Her katana may or may not be scary. It captures souls. Are they
tortured or add to her power or . . . anything? Dunno. She's a badass with a
katana, which is nice I guess.
Which
brings us to the “plot” of this mess—Enchantress
and her Brother. Her Brother (I
don't believe he was named) is scarily cool. She, on the other hand, is all
over the place. Is she killing everyone?
Is she turning us all into an army of eyeball-things? Is she going to make us worship her? Meh. Doesn't matter. I don't see why her
Iranian-binder trip puts away any opposition arguments for the big brass. Seems
like that would make her even more of a risk. There's no proof that she's
tamed, and in fact, every reason to believe she's not because, well, obviously she's not. She's not scary and her
"machine" is a total MacGuffin. Great light show, and while she's
"working" on it, she appeared to actually be dancing. But what was it
going to do? Does she actually have to defend it in the final fight scene?
Seems like once it was in motion, whatever it was going to do couldn't really
be stopped by anyone who was left at that point. She could have just zapped off
to Tahiti (it's a magical place) and game over. I was also deeply annoyed that
we're explicitly told modern ordinance doesn't work against them . . . until it
does. Apparently, demolition charges are made of magic explosives or fairy dust
or something. The fight with El Diablo is hella cool, and would have made a
great reveal for the character if I hadn't been so confused by his sudden
motivation.
The only character who actually makes sense is the insane one. |
The answer is you shouldn't. See the movie if you want to. It's fun. But do not try to think at all while watching it. You'll be as disappointed as I was.
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